In Virginia Woolf’s manifesto for gender-based equality, Three Guineas, she challenges contemporary universities—age-old institutions of higher learning, competition, and economic viability—because of their exclusion of all women, deconstructing their very foundations and scribing new blueprints of a more just, more powerful educational sub-society, one that would train all of its students in the arts of both intellectual curiosity and ethical behavior. However, in proposing her ideations of an “experimental college,” she fails to enumerate communal ramifications for straying from her individual didactic stipulations, thus eliminating the possibility for any future positive collegiate universalism (Woolf 43).
Les intersections de l'art, de la littérature, de la culture, et de la politique // par Kevin Medansky - - - - - Art, Literature, Culture, Politics, and Their Intersections // All work by Kevin Medansky.
12 septembre 2015
09 septembre 2015
Allocating War’s Advantages to a Future of Cross-Cultural Activism
In Paul Saint-Amour’s introduction to Tense Future, he depicts a disheartening view of what many imagine to be peacetime prosperity by imposing on it the terrible ramifications of war: a communal, never-ending fear of death and destruction, thus asserting that the mere existence of past war-related trauma inevitably refutes any future public declaration that peace—an impossible “refuge from anxiety and history”—will ever arrive (Saint-Amour 10). Indeed, relying on Lewis Mumford, he insists that anticipating future violence is comparable to dying “a thousand deaths” (qtd. in Saint-Amour 7). Furthermore, Saint-Amour expands upon his conclusions of peacetime’s ultimate bane: “The warning is the war; the drill and the raid are one” (Saint-Amour 13).
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